In the same year, the company hired 30-year-old British writer Alan Moore for the first time, to take over the poorly-selling The Saga of the Swamp Thing.ĭuring this period, Moore had been mulling over a murder mystery project, set in a world of classic hopeful costumed vigilantes, but aged a few decades and taken deadly seriously. In 1983, as part of a long line of IP deals, DC Comics purchased the rights to most of the library of struggling publisher Charlton Comics, home of Captain Atom, Blue Beetle and the Question. While Watchmen is famous for putting the superhero genre under a lens, the graphic novel began life as something much more specific. But for the full story, of a multinational corporation and a famously hermetic creator both refusing to play nice, we have to begin at the beginning.

The simplest way to put it is that Alan Moore doesn’t approve of Watchmen continuations. has any obligation towards him, they rarely unpack the full details of Moore’s long-standing feud with DC Comics and its origins. But when comics people talk about whether or not Moore has a bone to pick, and whether or not Warner Bros.

Same with the credits of Zack Snyder’s 2009 Watchmen film.Īt this point, Moore’s opposition to DC Comics and Warner Bros.’ use of Watchmen is as well known as his co-creation of it.

But those who stick around for the credits in HBO’s Watchmen will only see Dave Gibbons’ name. The Watchmen graphic novel is generally credited to two people: writer Alan Moore and Dave Gibbons.

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